American Idol: Kris Allen and Social Mood
David Capece | May 20, 2009 | Comments 6

by David Capece, Managing Partner
History will look back at 2009 as a year of transition. Great financial experiments are being conducted in labs known as Citibank and Bank of America. Rising instability is mounting around the globe. The Obama era is underway and change is in the air. Beyond the shifting global landscape, the American mindset is rapidly evolving (maybe even transforming). One of our favorite financial blogs, Minyanville, has gone in depth about the importance and implications of changing social mood.
Tonight’s American Idol victory by acoustic teen heart throb, Kris Allen, is a significant milestone amidst a groundswell of change. Yes, Kris Allen’s ballot box resembled that of Barack Obama’s 69 million votes last November. What’s the big deal? Let’s take a quick look back at music history and its correlation to global events, the economy, and social mood.
1970s
How fitting that Adam Lambert sang tonight with Kiss, a classic American Rock band that formed in late 1972 and came to prominence with the mid 1970s in the midst of a difficult economy, staglfation, and an oil shock. 35 years later, America seemed primed to embrace a rock act with a show.
1980s
In the early 1980s, the US was in a state of flux with a new president (Ronald Reagan) facing high inflation, a hostage situation, and a recession. Upbeat disco of the 70s was dead and gave way initially to New Wave and Artsy Punk. As America worked her way through challenges, more upbeat music, including pop soul, ruled the day. Madonna and Cindy Lauper joined Michael Jackson as Billboard’s hit-makers.
1990s
Again in the early 90s, with the first Gulf War and another recession, the sound of music turned deeper and dirtier. The Grunge scene exploded with Nirvana and Pearl Jam, and Woodstock was revived. Nine Inch Nails and industrial rock marked the peak of the edgier social mood. By the end of the decade, bubblegum pop, led by the Back Street Boys, Nsync, and Ricky Martin dominated the charts. The high energy music reflected the go-go mood as the dot come bubble inflated.
New Millennium
As we follow the trends into the 21st century, we see the same pattern. Linkin Park emerged as the nation struggled with 9/11 and the mini-recession of 2001. However, the real estate bubble quickly gained steam and saved us from a darker day.
Now, in 2009, storm clouds rule the day. Social mood is in a transformational stage. Tonight, Americans had the choice of voting for Kris Allen or Adam Lambert. A vote for Kris Allen, a teen idol who carries an upbeat tune in-line with music of the past 10 to 15 years, represents a vote to hold onto the familiar optimism of our past. A vote for Adam Lambert, a creative rocker with an edge, represents a vote to challenge where we have come from, and push courageously into a period of change.
Obama won on the promise of change from a system that wasn’t working. While Adam Lambert delivered a new and inspiring voice that struck a new chord, Kris Allen received the votes. At Sparxoo, we have written extensively about emerging trends, the future of America, and even the colors of economy. Tonight’s victory by Kris Allen signals that America wants a breather from the storm clouds. We need the comfort of a smiling, familiar face.
What does this mean for you? We are in the heart of a recession that is redefining our culture and our icons. Yes, you should embrace creativity, innovation, and experimentation (the key ingredients for Lambert). Show courageous leadership (the key ingredient for Obama). But beyond this, we are human and want a charming smile to help us navigate these tough times. America’s vote for Kris Allen signals that we want to restore confidence and return to an upbeat, happier time. We were surprised that Lambert lost. Does this signal a quicker recovery and the return of optimism in the second half of 2009?
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Great, great post!
A couple of thoughts I had with regards to the “shocking” American Idol outcome:
-Given how “in love” the judges were with Adam, I saw the vote in many ways as an anti-authority statement. The distrust of authority is one of the core principles upon which our country was founded, and I could almost hear the American people saying, “take that, judges!” as they cast their votes.
-Despite coming in second place, Adam was the clear winner, and Kris was the clear loser. The media felt the need to “come to Adam’s rescue” in response to what they saw as a “blasphemous” outcome, propping him up as if he were the true king… while at the same time making sure that Kris knew that despite the voting results, he really lost. The first or second question asked in interviews with Kris always had to do with Adam and what it felt like for Kris to have won Idol despite being the less talented of the two. (While perhaps never asked so bluntly by the media, the subtext appeared quite clear to me)
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AMERICAN IDOL SEASON 8 IS OVER!!
But the saga of Simon and Paula lives on…
http://www.youtube.com/watch?v=D7Opl3TCK0o
With nearly 100 million votes cast, smooth vocals and boy-next-door Allen turned the theatrical powerhouse Adam Lambert into the most unlikely of also-rans. Do you think Allen deserved to be the winner?
Uh… no. You have it all wrong. Why? The people who vote for American Idol are not a representative sample of the American public. Furthermore, given the portion of the public that does vote (and they vote early and often, since that is allowed by this system) tends to be younger and far less influential that those who will ultimately lift our economy out of recession. So — your premise that the small difference in number of votes between these two has any kind of real statistical significance or is a harbinger of trends or change — is just flawed. I would argue that the mere presence of Adam Lambert as the favored son and close second speaks to large movement toward his kind of music. He just barely missed the crown — and was second out of a field of thousands. I wouldn’t over-read his loss.